The idea of repeating a particular theme in Kerll's music reaches its extreme in the Magnificat tertii toni, where a fugue subject consists of sixteen repeated E's). He was influenced by Heinrich Schtz in his sacred vocal music, and by Girolamo Frescobaldi in keyboard works. Although Kerll was a well-known and influential composer, many of his works are currently lost. .. tchque (56)Pays-Bas (55)Cameroun (55)Pologne (52)Sude (48)Argentine (47)Hongrie (43)Iran (42)Danemark (41)Roumanie (36)Suisse (32)Mexique (32)Indonsie (27)Japon (27)Slovnie (25)Rp. Edited by Rudolf Walter. Six of the surviving masses were published during Kerll's lifetime as Missae sex, cum instrumentis concertantibus, e vocibus in ripieno, adjuncta una pro defunctis cum seq. Notes These file(s) are part of the Werner Icking Music Collection.Urtext edition after the Higini Angles & Josep Climent edition.
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